Des nains sur des épaules de géants 1

Des nains sur des épaules de géants 1
Triptyque 150 cm x (150 + 60 + 90)
Techniques mixtes sur toile

Diamètre 170

Diamètre 170
170 cm
Techniques mixtes sur toile

Egaux 1

Egaux 1
Diptyque 200 cm x 25 cm x 2
Techniques mixtes sur toile

Knonde-Bouddha

Knonde-Bouddha
130 cm x 130 cm
Techniques mixtes sur toile

Optimiste II

Optimiste II
Quadriptyque 120 cm x (60+120+20+80)
Techniques mixtes sur toile

Je suis la vie III

Je suis la vie III
Triptyque 100 cm x (70 + 40 + 60)
Techniques mixtes sur toile

Chanel barbelés

Chanel barbelés
2010 - 130 cm x 100 cm
Techniques mixtes sur toile
Oeuvre réalisée à l'occasion de l'année France-Russie 2010
Collection particulière

TOTEMS

TOTEMS
2006 - 130 cm x 130 cm
Techniques mixtes sur toile

La rumeur II

La rumeur II
2004 - 180 cm x 132 cm
Techniques mixtes sur toile

Red Chanel II

Red Chanel II
2009 - Triptyque 100 cm x 50 cm x 3
Techniques mixtes sur toile

Autoportrait 1

Autoportrait 1
2006 - 130 cm x 130 cm
Techniques mixtes sur toile
Vendue

Chaise I

Chaise I
2002 - 170 cm x 240 cm
Techniques mixtes sur toile

Chanel III

Chanel III
2009 - Triptyque 100 cm x (90 + 50 + 60)
Techniques mixtes sur toile

La poussière de Rome XI

La poussière de Rome XI
2006 - 130 cm x 130 cm
Techniques mixtes sur toile

Le côté du Glu-Glouton XII

Le côté du Glu-Glouton XII
2002 - 132 cm x 180 cm
Techniques mixtes sur toile

Poissons

Poissons
2009 - Diptyque 100 cm x (100 + 20)
Techniques mixtes sur toile

La Poste I

La Poste I
2006 - 80 cm x 100 cm
Techniques mixtes sur toile

Stop Stop II

Stop Stop II
2009 - Diptyque 174 cm x 56 cm x 2
Techniques mixtes sur toile

Un jour viendra

Un jour viendra
2002 - 150 cm x 100 cm
Techniques mixtes sur toile

 
 


Bruno Macé was born in Paris in 1953.
His work as a painter has seen him exhibit both in France and abroad over more than 20 years.

"Composition, colour, design and transparency... Through his painting, Bruno Macé tells both a story and the tale of his time, interweaving words and images and drawing us into worlds filled with either dreams or nightmares, yet always creating a rich and evocative vision. He stirs up intense emotions with both the power of his chosen themes and the brutality of the patches of colour he projects onto the canvass. The past unexpectedly resurfaces as we scan his paintings, spotting words scattered here and there that either gently draw us in with an invitation to travel or drag us down towards the chasm of nothingness represented by disfigured statues or masks from Africa or the catacombs of Italy... Ruptures or connections, blood or sky: utter terror grips us as we look upon this image of a world from which letters emerge as the only vestiges of civilisation, reminding us that words and language unite and reconcile whilst Man's violence tortures and destroys.
This is Bruno Macé's talent: evoking both hope and anxiety by painting the world as it is, complete with its full array of not only riches but also suffering, the shadow of death ever hovering over us.
This is what makes Bruno Macé a complete artist, an artist who has understood that painting is not simply a quest for beauty, but also a call for contemplation. Painting must stimulate our eyes and minds, but also move with the times, and Bruno Macé has done just that by varying both his paintings' form and content. His work therefore now represents more than mere distraction: his is a set of works of real worth and a precious asset created by a courageous man."
Text by Jérôme Clément, Chairman of Arte France for Bruno Macé's biography

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